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The System by Waterhouse artist Terry Lynn will be the first music video combining the efforts of The Rickards Brothers and is meant to serve as a hard introduction to the creative abilities of the team. The System will be shot on location in Porus, Jamaica utilising HD video and Rickards' still-photography techniques. The composition, texture and use of natural light in The System will be intentionally similar to a series of photographs taken by Rickards in 2007 known as Friday Morning Market. The photographs from this series documented a day in the life of a typical slaughterhouse located at the back of a community market in rural Jamaica. |
In The System, the struggling of doomed animals, the brutality and indifference of the butchers and the slaughterhouse itself will be presented as a series of visual metaphors that relate to the lyrics in Lynn's song. To be precise, the violence and nonchalance of the killers are direct references to the police while the pigs are a clear reference to the victims of police violence within a seemingly inescapable garrison - the slaughterhouse). |
The goal of video created for The System is to dramatically portray the conditions which are addressed in Lynn's lyrics by employing strong visual metaphors derived from the Porus slaughterhouse. While The System finds it origins in the graphic Friday Morning Market series, two major differences will be apparent in the video footage collected at the Porus slaughterhouse for the purposes of this video: 1) Avoidance of knife on flesh scenes. No pouring blood from animals. Blood will be seen on slaughter instruments and perhaps on the wall and ground. 2) 'Geomentric composition'. That is, every shot in the video, whether an object, a person or a space is framed as if the scene is a photograph. This is meant to create an air of cinematic quality rarely seen in music videos.
All shots will be completed in panoramic fixed frames, often utilizing slow motion photography but with little use of mechanical zooming. Whether a shot is executed as closeup or at a distance, great attention will be given to unusual textures, space and use of the intense natural light that is prevalant in the Friday Morning Market series. The video will be connected by a series of segments ranging in time from 3-10 seconds. Each of these segments could be intepreted as 'mini-films' since each segment is, as a matter of fact, a true exercise in photography intended to show off the unique characteristics of the environment and the participants in it. As the song progresses, a metaphoric story of the human condition emerges from the vivid images of chaos, violence and even beauty that are presented over the driving raw beat of the song. The System (MP3) **Lyrics in bold black text. Video treatment indicated by bold red text. Below: Slaughterhouse exterior (Porus)
Intro beats + lyric: 'Wi
nuh inna none a dem' x 3 - Shots
of truck driving. Closeups of men in truck. Implied authority
via close-ups of boots,eyes, truck exterior, etc. Rapidly changing
images. When police roll up inna dem armoured vehicle
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(Slow motion)
Truck stops abruptly and workers leap from the back, turning to
retrieve their tools and walking across the frame in front of
the sunlit blue wall. The rat-tat-tat-ta make ya flatter -
(slow motion) Man
close to pig It’s just the system - Pigs
in cages Where’s I’m from name Waterhouse
- Terry continues performing To the system -Men
cooking meat END |